Gilt leather embroidery exhibition at the Swedish History museum

On October 10th, our exhibition of reconstructed gilt leather embroidery opened at the Swedish History Museum. The exhibition is called Guldskinnsbroderier- rekonstruktioner och nya tolkningar. (Gilt leather embroideries- reconstructions and new interpretations).

Together with a group of dedicated people we have recreated five large embroideries. Four of the embroideries are large coverlets, and two are large cushions. All originals, except Östra Stenby, are to be found at the museum. Since they are too fragile to be exhibited in a too well-lit room, they are not on display right now.

Two of the coverlets, Skepptuna and Dalhem 1, have been exhibited before at the museum, but three new pieces are on view for the first time. We proudly present reconstructions of Skokloster 2, Dalhem 2 and Östra Stenby. All fabrics are off course plant dyed, sewn by hand and decorated with gilt leather strips and some with white wool fabric. The new interpretations of how to use the old technique to create new art in our modern times, have been made by the group Skapande broderi Stockholm.

Here are some pictures from the opening. Thank you Göran Wingstrand for the photos. The exhibition will be on show until 14th of February 2021.

Dalhem 2
Östra Stenby
Detail Östra Stenby
Skepptuna
Dalhem 1

We would like to thank everyone that have been sewing and helping out with the project to make this happen. Without you this wouldn’t have been possible. <3

Agnes Bohman Boyle
Aina Hagman
Anders Klintholm Lilliehöök
Anna Malmborg
Anna Odlinge
Anna Sönsteby Lilliehöök
Barbro Bornsäter
Catharina Drakmården
Catrin Karlsson
Elina Sojonen
Elin Andersson
Elin Jantze
Emil Lagerquist
Emma Fryksmark
Ester Spetz
Eva Eriksson
Fia Makalös Lindblom
Hannah Ström
Ida Berg
Ingela Wahlberg
Justine Arnot
Kerstin Petersson
Khelan Butén
Lena Dahrén
Lia de Thornegge
Linnea Vennström
Magdalena Fick
Malin Ekberg
Maria Franzon
Mervi Pasanen
Sofia Berg
Thérèse Pettersson
Rasmus Rasmusen
René Guthof
Tove Kluge
Ulla-Mari Uusitalo
Ulrika Mårtensson
Vea Collins
Ylva Nellmar

Thank you all!

Project leaders:
Amica Sundström and Maria Neijman

The Birka museum exhibition.

We have during the autumn and spring been working on some items for the Birka museum’s new exhibition about three Viking graves from 8-10th century,l Today was the grand opening and here are some photos from the exhibition.

It has been great to be part of the production and we would like to thank Strömma, Veronika Björkman, Linda Wåhlander, Historiska museet and all the other scientists and crafts people- no one mention- no one forgotten. <3

Amica and Maria

Bright red with madder

We have gotten questions about how we manage to get such bright red color with madder on wool. We thought we would should share the recipe that works for us.

100%! We use as much madder as the weight of the goods we dyes. If we dye 100g of goods (goods = yarn or fabric) then we use 100g of madder.
In order to get a good color, you need to plan your dyeing.

1. Good madder-  buy madder that is powdered. It simply gives more colour than the cut root pieces. There will be a lot to clean up, but it’s SOOO worth it.

2. Soak the madder in lukewarm water. A minimum is 24h. If possible, let your madder soak for 3 days. It can go moldy but this does not affect the color. However, be careful not to inhale the mold spores. Soaking over time can start a fermentation and then the colour will get a more cold red tone and pull more towards the blue direction. Do not filter  off the bath, keep everything in the dye bath. Also add one beer to the soaking bath. If you like you can also have a beer to drink. 

3. Mordant. We use only alum as a mordant. 30% of the weight of the goods. Pre mordanting is the thing, don’t put dyestuff and mordant in the same bath, this will dull the colour.

The dyeing
1. Insert the soaked madder solution and your gods into the dye bath. Heat slowly up to 68-69 degrees. Maintain this temperature for at least 2-3 hours. Stir frequently. The madder powder sinks to the bottom of the tub! It will also get stucked in “pockets” in your fabric.

2. Let the goods cool down in the bath, preferably overnight- but watch out for pockets!! 

3. Take up the goods. Shake out excessive madder back into the dye bath.

4. Allow the goods to dry before washing.

5. Shake the dried goods to get rid of your madder powder. We usually do this over a big plastic sheet. Preferably outdoors! Make sure to cover your mouth and nose. It’s dusty!! The madder is put back in the dye bath.

6. Rinse the gods until the rinsing water is clear. 

Use the dye bath for the after bath. You can dye as long as you think it gives color. A lightly dyed fabric and be over dyed with a fresh madder bath, starting with a apricot dyed fabric, instead of a white, will give you a stronger red.

Happy dyeing!! 
/ Amica and Maria

 

Advent calendar December 24 2019

Today, 24th of December, we celebrate Christmas ( Jul) in Sweden.
That means this is the last calendar post. We hope that you have enjoyed this years calendar and that you have seen things that you haven’t seen before.

Todays post is a Swedish embroidery. Wool on linen. Dated mid 15th century.

We have analysed the embroidery and a full report will come soon.

Merry Christmas and a Happy new year!
/ Amica and Maria

Photo: Historical Textiles- please cred if sharing.

Advent calendar December 22 2019

It’s too late and I have been driving 450km. So I’m to tired to update something useful.

Here goes a random collection of things.

Spindel tops in metal. And whorls. Athen, Greece. Dated medieval. 10-15th century

Lucet in bone/ horn. National museum Copenhagen, Denmark. Dated “medieval 13-16th”

Net shuttle from Lödöse. Dated 13-15th century

Shears for cutting the nap after fulling fabric. Dated 1850-ish. 9year (132cm ) old for reference . Sundsvall Museum,

/ Maria- tired

Advent calendar December 21 2019

Today we travel to the north of Sweden. All the way up to Resele church in Ångermanland. The medieval church was demolished 1841 when the new church was built. Today’s textile is an antependium from the old church.

It’s a wool weave and it has got one warp system and two weft systems.
The birds are a common motif during the later part of the Middle ages and the antependium is dated 1350-1500, it is dated by style.

The textile is part of the collection at Historiska Museet in Sweden.
/ Amica and Maria

Photos: Historical Textiles- pease cred us if sharing

Advent calendar December 20 2019

The Fogdö embroidery is made with long armed cross stitches. It’s dated to early 16th century.

St George is often depicted in late medieval art. Here we can see George with a lovely jousting shield fighting the dragon with a very long sword… The embroidery is very well preserved, but on some places you can see that the wool yarn have worn off and the tabby linen weave is exposed.
Today it is found in the collections of Historiska Museet, Stockholm, Sweden.
/ Amica and Maria

Photos: Historical Textiles- pease cred us if sharing