Advent calendar December 3 2020

Behind door number 3 we find a Viking age posament from Birka, Sweden.

The metal wire is made out of silver and the core is a textile fibre. We don’t know if the textile fiber is made out of silk or linen.

Today the posament can be found in the collections of The Swedish History museum.

/ Amica and Maria
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Advent calendar December 1 2020

The last few years we have put together an Advent calendar during december. Out plan is to do the same this year. But since the new plague hit our world we have not been traveling at all. And we might lack a bunch of “new” historical textiles to show you. We are doing the best we can to show you hidden gems in our photo collections. It’s possible that we bring up new angles of a piece that we have shown you before. Hope you can find joy in a recycled textile too.

Our first post is an embroidery:
The peacock on the Masku coverlet, Finland. Intarsia technique.
Wool fabric in green ( now with a blue tint since the yellow dyestuff have faded), dark blue, white and red. Also thin cotton or linen fabrics as decoration on the top of the antennas. The silvred/gilded leather have fallen off in the majority of places. The stitching shows where they were placed.

The coverlet is in the collections of the National Museum of Finland.
Dated to 15th century.
/ Amica and Maria
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Gilt leather embroidery exhibition at the Swedish History museum

On October 10th, our exhibition of reconstructed gilt leather embroidery opened at the Swedish History Museum. The exhibition is called Guldskinnsbroderier- rekonstruktioner och nya tolkningar. (Gilt leather embroideries- reconstructions and new interpretations).

Together with a group of dedicated people we have recreated five large embroideries. Four of the embroideries are large coverlets, and two are large cushions. All originals, except Östra Stenby, are to be found at the museum. Since they are too fragile to be exhibited in a too well-lit room, they are not on display right now.

Two of the coverlets, Skepptuna and Dalhem 1, have been exhibited before at the museum, but three new pieces are on view for the first time. We proudly present reconstructions of Skokloster 2, Dalhem 2 and Östra Stenby. All fabrics are off course plant dyed, sewn by hand and decorated with gilt leather strips and some with white wool fabric. The new interpretations of how to use the old technique to create new art in our modern times, have been made by the group Skapande broderi Stockholm.

Here are some pictures from the opening. Thank you Göran Wingstrand for the photos. The exhibition will be on show until 14th of February 2021.

Dalhem 2
Östra Stenby
Detail Östra Stenby
Skepptuna
Dalhem 1

We would like to thank everyone that have been sewing and helping out with the project to make this happen. Without you this wouldn’t have been possible. <3

Agnes Bohman Boyle
Aina Hagman
Anders Klintholm Lilliehöök
Anna Malmborg
Anna Odlinge
Anna Sönsteby Lilliehöök
Barbro Bornsäter
Catharina Drakmården
Catrin Karlsson
Elina Sojonen
Elin Andersson
Elin Jantze
Emil Lagerquist
Emma Fryksmark
Ester Spetz
Eva Eriksson
Fia Makalös Lindblom
Hannah Ström
Ida Berg
Ingela Wahlberg
Justine Arnot
Kerstin Petersson
Khelan Butén
Lena Dahrén
Lia de Thornegge
Linnea Vennström
Magdalena Fick
Malin Ekberg
Maria Franzon
Mervi Pasanen
Sofia Berg
Thérèse Pettersson
Rasmus Rasmusen
René Guthof
Tove Kluge
Ulla-Mari Uusitalo
Ulrika Mårtensson
Vea Collins
Ylva Nellmar

Thank you all!

Project leaders:
Amica Sundström and Maria Neijman

Advent calendar December 22 2019

It’s too late and I have been driving 450km. So I’m to tired to update something useful.

Here goes a random collection of things.

Spindel tops in metal. And whorls. Athen, Greece. Dated medieval. 10-15th century

Lucet in bone/ horn. National museum Copenhagen, Denmark. Dated “medieval 13-16th”

Net shuttle from Lödöse. Dated 13-15th century

Shears for cutting the nap after fulling fabric. Dated 1850-ish. 9year (132cm ) old for reference . Sundsvall Museum,

/ Maria- tired

Advent calendar December 21 2019

Today we travel to the north of Sweden. All the way up to Resele church in Ångermanland. The medieval church was demolished 1841 when the new church was built. Today’s textile is an antependium from the old church.

It’s a wool weave and it has got one warp system and two weft systems.
The birds are a common motif during the later part of the Middle ages and the antependium is dated 1350-1500, it is dated by style.

The textile is part of the collection at Historiska Museet in Sweden.
/ Amica and Maria

Photos: Historical Textiles- pease cred us if sharing

Advent calendar December 20 2019

The Fogdö embroidery is made with long armed cross stitches. It’s dated to early 16th century.

St George is often depicted in late medieval art. Here we can see George with a lovely jousting shield fighting the dragon with a very long sword… The embroidery is very well preserved, but on some places you can see that the wool yarn have worn off and the tabby linen weave is exposed.
Today it is found in the collections of Historiska Museet, Stockholm, Sweden.
/ Amica and Maria

Photos: Historical Textiles- pease cred us if sharing 

Advent calendar December 15 2019

Plant dyed fade over time. The more light they are exposed to the faster the fading goes. What was dyed on a large scale in historical times was wool and silk. Linen is difficult to dye, unless it’s blue.

Sometimes you are lucky and can see the backside of an old textile. The backside have often been protected from light and are therefore of stronger colours then the front side.

Here- a gilded leather embroidery dated to mid 15th century. Skokloster 2, today in the collections of Historiska museet, Stockholm, Sweden. To the right you can see the front, and in the middle the backside. Compare and see for yourself.

Advent calendar December 12 2019

Button up!

The 14th century is the buttoned century. Buttons are around even before. For one example the Vikings also had buttons in some clothes. But it was during the 14th century that suddenly “everyone” was wearing rows and rows of buttons.

In art buttons are almost always depicted in white, yellow or the same colour as the garment. White and yellow are interpreted as “silver/ pewter” and “gold/ brass”. The same colour are probably made of fabric.

When using reconstructed buttons in re-enactment garments, it’s always difficult to find small and light weight buttons. If you put many buttons in a row it tends to get very heavy.

Original buttons are very often hollow. Like the once on the picture. They are made in silver and can be found in the collections of the National museum in Copenhagen, Denmark. Dated 14th century
/ Amica and Maria
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